Tag Archives: 19th century

Ghostly Tales (1896) by Wilhelmina FitzClarence

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Wilhelmina FitzClarence (1830-1906), Countess of Munster lived a fairly standard peeress’s life – despite being an illegitimate granddaughter to William IV of England. As a young girl she travelled widely in Europe, eventually marrying her first cousin William in 1855. The couple lived in Brighton and had nine children.Wilhelmina’s first novel, Dorinda (1889), about a female art-thief, was praised by Oscar Wilde for its characterisation, although her second novel, social satire A Scotch Earl (1891), was less well-received. She also wrote numerous short stories and articles for periodicals, and published an autobiography in 1904.

Ghostly Tales (1896) consists of stories in a supernatural and/or Gothic vein and some (as in Isabella Banks’ Through the Night, which it in many ways resembles) are supposed to be drawn from stories recounted by its author’s family and friends. This is reflected in the milieu of the tales’ protagonists – the grand European tour, the marriage market and aristocratic country and town life. Although the collection contains several stories which fit easily into the traditional Victorian ghost story genre (most notably ‘The Ghost of My Dead Friend’) the volume contains a wide breadth of ‘weird’ or uncanny phenomena – from religious visions and animal telepathy to the narrator’s unsettling encounter with a mentally disturbed young man.

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Ghostly Tales [Kindle]

Ghostly Tales [Epub]

Ghostly Tales [PDF]

A facsilmile edition, containing a number of illustrations, can be downloaded for free from from the British Library.

Ghost Stories from the “Argosy” by Mary E. Penn

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Mary E. Penn is an enigmatic figure – nothing whatsoever is known about her other than the fact that she wrote several stories for late-Victorian periodicals, most notably The Argosy, a monthly miscellany associated with the sensation novelist Ellen Wood (not to be confused with the American periodical of the same name). Penn’s fiction encompassed supernatural and criminal themes and the last story definitely attributed to her appeared in 1897. More details about Penn and her stories can be found here.

In 1999, Richard Dalby resurrected Penn’s ghost stories for inclusion in his Mistresses of the Macabre series, published by Sarob Press. In the Dark and Other Ghost Stories (the second in the series) featured seven stories definitely attributed to Penn, and one which was published anonymously, but which Dalby ascribes to Penn on stylistic grounds. For this edition I’ve used the texts as published in The Argosy, most issues of which are available online. A linked index to each volume can be found here and is well worth having a browse for more hidden gems of Victorian genre fiction.

Ghost Stories from the “Argosy” [Kindle]

Ghost Stories from the “Argosy” [Epub]

Ghost Stories from the “Argosy” [PDF]

Pharos the Egyptian (1899) by Guy Boothby

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Guy Boothby (1867-1905) was born in Australia but spent most of his career in England. A professional writer, his most famous work is the Dr Nikola series – a sequence of five novels about a criminal mastermind determined to take over the world with the help of the occult. Boothby was tremendously prolific. His writing career took up only the last decade of his tragically short life, but during this time he produced over fifty novels.

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Presented here is one of a handful of overtly supernatural novels written by Boothby. First published in 1899, it is typically late-Victorian in its concerns about contamination by a foreign other from the fringes of occidental Empire – in this case the eponymous Pharos, a grotesque Egyptian with a talent for mesmerism, who harbours an astonishing and deadly secret. Also included are three of Boothby’s best-known ghost stories, taken from his collection The Lady of the Island (1904).

Pharos the Egyptian [Kindle]

Pharos the Egyptian [Epub]

Pharos the Egyptian [PDF]

The text of Pharos the Egyptian is from Project Gutenberg. The text of the extra stories are from ebooks at Adelaide.

The Joss: A Reversion (1901)

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Best known for The Beetle (1897), Richard Marsh was a hugely prolific fin de siècle writer whose output includes several highly entertaining works characteristic of the late-Victorian mode of the Gothic. This novel, first published in 1901, begins with a haunted house and ends with a truly bizarre story of an Englishman’s transformation or, as the subtitle has it, his ‘reversion’. The nature of this horror is revealed gradually through multiple narrators, initially focussing on Mary Blyth, whose unfair dismissal from her job as a draper’s assistant turns out to be one of the least terrible events in what transpires to be the most horrific week of her life!

The novel deals in typical fashion with characteristic late-Victorian fears about racial degeneration and contamination by a foreign other. The setting too is highly characteristic, depicting London as a labyrinthine metropolis at the heart of Empire, in which mystery lurks behind the façade of every building and down every dark alley – the London of Bram Stoker, Arthur Machen, Conan Doyle and Stevenson – and is a must-read for any fans of the period’s Gothic tales.

The Joss: A Reversion [Kindle]

The Joss: A Reversion [Epub]

The Joss: A Reversion [PDF]

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Collected Ghost Stories of M.R. James

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Montague Rhodes James (1862-1936), Biblical scholar, antiquary and mediaeval historian is also, quite possibly, the twentieth century’s most influential writer of ghost stories. His tales of leisured Edwardian gentleman-academics whose narrow-minded investigations bring them into contact with nameless horrors from the past are flat-out classics of the genre and their reputation was enhanced by several highly-regarded BBC television adaptations in the 1970s – adaptations that echoed the stories’ original conception as tales to raise a chill around the Christmas fire.

And yet, James never intended to publish his stories in book form. Despite having submitted his first two compositions, ‘Canon Alberic’s Scrapbook’ and ‘Lost Hearts’ for publication in journals during the 1890s, his stories were by and large written solely for the entertainment of his academic colleagues and students. On Christmas Eve, James would emerge from his study clutching his hand-written manuscript, ready to address the acquaintances who had gathered in his rooms to hear this latest tale of terror read aloud over their late-night tipple. It was only with the death of a close friend, whom James had invited to illustrate the tales as a distraction from a final illness, that the tales gained a wider audience. James McBryde, the promising artist in question, died at a tragically young age and James decided to publish a selection of the ghost stories complete with McBryde’s illustrations as a posthumous tribute to his young friend. The stories were very well-received, however, and although James’s academic achievements hardly went unrecognised, it is for his ghost stories that he is best remembered today.

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Five volumes of James’s ghost stories were published during his lifetime: Ghost Stories of an Antiquary (1904), More Ghost Stories (1911), A Thin Ghost and Others (1919), A Warning to the Curious and Other Ghost Stories (1925) and Collected Ghost Stories (1931) – the latter contained the entire contents of the previous four volumes, together with a few further pieces: ‘There Was a Man Dwelt By a Churchyard’, ‘Rats’, ‘After Dark in the Playing Fields’, ‘Wailing Well’ and ‘Stories I Have Tried to Write’. A further three completed stories remained uncollected during James’s lifetime: ‘The Experiment’, ‘The Malice of Inanimate Objects’ and ‘A Vignette’. I have included all of these in the edition for this blog (see below) along with a selection of James’s writings on the ghost story genre. I got the latter from the always splendid ebooks@adelaide.

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A number of unpublished drafts were also left extant on James’s death. These haven’t been included in the ebook below for copyright reasons, but you can read them at the Ghosts & Scholars website – Rosemary Pardoe’s outstanding online resource for all things Jamesian. The drafts are ‘The Game of Bear’, ‘Merfield House’, ‘The Fenstanton Witch’, ‘Marcilly-le-Hayer’ and ‘John Humphreys’ (an early version of ‘Mr Humphreys and His Inheritance’). Rosemary Pardoe’s notes on these stories are also available. Three other related pieces by James have not been included, but can also be read online. These are the early story, ‘A Night in King’s College Chapel’, James’s scholarly article, ‘Twelve Medieval Ghost Stories’ and his children’s novel The Five Jars (1920).

Here are the download links for the ebook edition of Collected Ghost Stories I’ve prepared for this blog:

Collected Ghost Stories [Kindle]

Collected Ghost Stories [Epub]

Collected Ghost Stories [PDF]

Finally, readers might be interested to know that, in collaboration with Jane Mainley-Piddock and James Mussell, I am currently organising the first ever academic conference dedicated solely to James’s ghost stories. Information, including a call for papers, is available here.

Collected Ghost Stories of John Kendrick Bangs

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John Kendrick Bangs (1862-1922) was an American writer, mainly of humorous fiction, and editor of the popular Harper’s Weekly, as well as the New Metropolitan Magazine. In 1904, he became the editor of Puck, a successful American humour magazine.

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Amongst his prolific output are many volumes of supernatural novels and stories, mainly in keeping with his predilection for humour and parody. His short supernatural fiction appeared in three story collections, pictured above and published between 1894 and 1901. Facsimiles of the fully illustrated first editions can be seen here and here. The illustrations from Over the Plum-Pudding can be seen here.

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“I thought a mile was the proper distance” [Illustration from ‘The Flunking of Watkins’s Ghost’]

 Collected Ghost Stories [Kindle]

Collected Ghost Stories [Epub]

Collected Ghost Stories [PDF]

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John Kendrick Bangs, shortly before his death in 1922

 

Black Spirits and White (1895) by Ralph Adams Cram

“In ‘The Dead Valley’ the eminent architect and mediævalist Ralph Adams Cram achieves a memorably potent degree of vague regional horror through subtleties of atmosphere and description.”

H.P. Lovecraft

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Ralph Adams Cram (1863-1942) was a noted architect of collegiate and ecclesiastical buildings. Born in Hampton Falls, New Hampshire in December 1863, Cram was apprenticed to the architects Rotch and Tilden in Boston, before moving to Rome to study classical architecture. In 1887, he converted to Roman Catholicism. He designed or co-designed the Cathedral of St John the Divine and Saint Thomas Church (both in New York city) but is probably best known as the architect of Princeton University, a major example of his passion for the Gothic Revival in architecture.

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Appropriately, given his penchant for the Gothic in architecture, Cram’s only major foray into fiction is the highly regarded collection of horror stories, Black Spirits and White (1895), whose name derives from Macbeth Act IV, Scene i. Of particular note is the final story in the collection, ‘The Dead Valley’, whose memorable climax was singled out by H.P. Lovecraft as a favourite moment in the history of supernatural fiction.

Black Spirits and White [Kindle]

Black Spirits and White [Epub]

Black Spirits and White [PDF]